THYLACINE

THYLACINE

LE BIKINI - RAMONVILLE ST AGNE
Vendredi 18 novembre 2022 , 19h30
PLACEMENT LIBRE
THYLACINE

THYLACINE

LE BIKINI - RAMONVILLE ST AGNE
Vendredi 18 novembre 2022 , 19h30

Trop tard

La séance est terminée !

Spectacles P. Sansonetto
& UNI-T présentent :

After letting us on in with three different singles - the chill Satie I (based on Satie’s Gymnopédie No. 1), the bold Allegri (based on the almost 400 years old Miserere) and the more ambient Sheremetiev (based on the lesser-known orthodox choir hymn ‘Nine sili nebesniye’) - Thylacine displays his musicianship and agility in full on TIMELESS. This new album sees him climbing some of the biggest summits of music taken from the repertoires of Mozart, Beethoven or Schubert absorbing and revisiting classical scores like one explores new territories: off the beaten tracks.

  

Such an adventurous spirit stimulates and incites the young musician to see each of his projects as an experience in itself, with different approaches and ideas based around travelling. After recording his first albums on board the Trans-Siberian train, on the Argentinian roads and in the Feroe Islands (the magical Transsiberian, Roads-Vol. 1 and Roads-Vol. 2, respectively), Thylacine had now decided to opt for a journey in time instead of space.  

 

The idea came about a year ago, when he undertook a new interpretation of Erik Satie’s Gnossienne No. 1. “On Timeless, the journey was less literal than on my first records, but it is still a journey in time, like a deep-dive in music’s history, which makes sense with the work recently created” he explains, alluding to his recent single “Versailles,” which was composed using sounds from diverse objects found in the famous palace. This time, there are no outside elements or references.  This travel back in time allows Thylacine to create new sonic landscapes from masterworks of music, much like developing a monument’s architecture to get unseen perspectives. Eerily familiar yet exotic, these new perspectives on Timeless combine notes from the past with sounds from the future to give birth to an immemorial present. 

 

On this album, Thylacine was guided by the desire to confront himself to different harmonies and tempos, with two objectives in mind: reconnecting with his own musical upbringing in a conservatory, and isolating the most iconic part of these most widely known music sheets. Successfully tackled, the challenge proved his own singular creativity. Sometimes he only samples a theme and sometimes he delivers true new interpretations of a work, but always with the same goal: not doing too much. From that perspective, the recording conditions were nothing but helpful: “I was spending holidays in an isolated cabin in the swiss mountains when the confinement was announced. I didn’t plan to stay there a month and only had my computer, a keyboard and a sound card with me. This minimalism was salutary, as it made me avoid overloading melodies that are already extremely rich.” 

  

Instead of retreating behind some form of prudence, like anyone facing new challenges, Thylacine approached Timeless with the certainty of being able to procure the same change of scenery and the same longing for altitude that his previous projects provided. “We find in Satie or Allegri some writing principles that are very present in modern music, be it repetitive themes or melodic progressions,” he concludes, reminding listeners these symphonies and his powerful electronica were bound to meet. 

ACCÈS

Ⓜ METRO

En métro, terminus Ligne B Ramonville, puis ligne de bus 111 jusqu'à l'arrêt Hermès (dernier départ 20h), prévoir 15 min de marche. 

ⓟ PARKING 

Prendre la sortie 19 en direction de Ramonville, entrer dans le Parc Technologique du Canal puis suivre les indications "Salle de spectacles". La salle dispose d’un parking gratuit. 

AUTRES INFOS

La salle dispose d’un vestiaire.

Bars et restaurant. 

Accessible aux personnes à mobilité réduite. 

Contact objets trouvés : objettrouve@lebikini.com